Workplaces are evolving, but as a working woman, it is nearly impossible to instinctively reach out for opportunities without evaluating the gendered risks of that leap.
Pageants like Miss Universe are some of the most dishonest talent shows in the world. They claim to be in search for a well-rounded woman, but always ends up looking more like wet T-shirt contests with a patriotic sash.
In progressive industries like mine, few women want to complain against another woman. How was I going to admit, even to myself, that my powerful female boss was a monster, while simultaneously complaining about the lack of women in leadership positions?
In Delhi, a 14-year-old girl was raped by four men aged 17 to 30. In Bengaluru, a 20-year-old nursing student from Assam was raped and murdered. It’s horrific but headlines like these have become far too frequent in 2020.
Netflix’s Guilty, which traces the investigation of a rape accusation made on Twitter, had the opportunity to stand out as a film that explores the changing nature of consent in a post #MeToo world. It squanders that chance and instead tells us a story told far too many times – that rape survivors are often disbelieved.
We can continue to criticise the portrayal of women as mere pawns in the sacred games of men. But take a minute to look beyond the obvious. The women in the Netflix series aren’t mere cheerleaders – they’re controllers in their own right.
In our society, lustrous, supple strands still remain a source of pride for women. It even prompted the brilliant Maya Angelou to assert that “A woman’s hair is her glory.” But when what was once your crowning glory ends up getting relegated to the shadow of your husband’s, I must confess it does take some getting used to.
The highly educated, the upper-middle-class millennial... no one is free from stereotyping gender. Best described as faux feminists, they are concentrated mostly in the metros. You’ll hear them say something completely “harmless”, for instance, “Girls LOVE shopping!” or “ Women CAN’T drive.”
A dacoit film set in Chambal and headlined by an all-male cast is hardly the expected backdrop for a biting commentary on gender prejudice. But for all the testosterone simmering on the surface, Abhishek Chaubey and Sudip Sharma infuse Sonchiriya with grassroots feminism.