If Facebook were to make a year-end review video for the BMC, it would have a really distressing story to tell. This year, we’ve had a doctor fall into a manhole and lose his life, the Elphinstone station stampede, multiple deaths due to potholes, and now the horrendous Kamala Mills fire.
If there ever was a case that was tailored to strengthen the position of those rooting for capital punishments for exceptionally cruel crimes, it would be the Dec 16 Delhi gang rape. As someone who experienced sexual violence at a young age, I wanted the rapists to die. Which is why, maybe the law should not give me or anyone the option to have our bloodlust satisfied.
No film in the ’90s had a woman character whose first “no” was accepted – instead her consent was treated as a challenge by the hero. But in a year when #MeToo ruled our cultural consciousness, will that old idea of what a Bollywood hero is supposed to be, change?
When I saw Jai and Meera break-up with each other in Love Aaj Kal and still be involved in each other’s lives with the intensity of a married couple, I was convinced that every break-up deserved a break-up party. Today, I know that the biggest sham that Imtiaz Ali sold us was the idea that we should remain friends with our exes.
It looks like the showrunners of Game of Thrones are investing a lot of time and energy into making Sansa Stark badass, and they don’t do that without good reason.
Long before hipsters gathered at pubs to watch the Battle of Winterfell, millions of people came together every Sunday to watch the Battle of Lanka and the Battle of Kurukshetra. With Ramayana and Mahabharata, Doordarshan gave us sprawling epics filled with kings, queens, monsters, magic, and intrigue decades before Ned Stark ever lost his head.
Narrated as a slow-burn police procedural, Ladj Ly’s Les Misérables is a commentary on the pervasive, lingering stain of social injustice. The masterful filmmaking evokes the extent of powerlessness that the marginalised are forced to internalise.