If Tubelight and Bajrangi Bhaijaan are any indication, two things have heightened with every new Kabir Khan project: the scale of his movies and their political undertones.
Dunkirk is the last stand of the traditional blockbuster, trying to save a ship being torpedoed by sequels and superheroes. It’s less film, more event.
The current coronavirus pandemic is a reminder of how we need to use our resources sustainably. For us, hand washing is routine, but for many marginalised people across the world, it’s a luxury. In slums and refugee camps, where supply is erratic they need to ration their water.
From admitting to beating his wife and his mistresses, to soliciting sex workers, Naipaul eviscerated the notion that male morality should coexist with male genius. And yet, florid tributes to VS Naipaul flow, written by the very people he chastised in his writings.
Bikers, who take over the streets of Mumbai at midnight, are a nightmare for law-abiding motorists. But they say speed is an addiction, and the city needs to keep pace with them.
For years, I lived with my abusive husband and often found myself feeling guilty and begging to make amends. That’s the thing about manipulative relationships. Years of trauma makes you believe that you are incapable of breaking free. It’s called learned helplessness.
Horror comedies work as a terrific balm for our minds, crumbling under a stagnant routine. What’s not to love about watching a confused group of people run around escaping an equally clueless bunch of the undead? Kickstart the weekend with instant classics like What We Do in the Shadows and Official Bhootiyagiri.
Gully Boy’s characters — not just Murad, but all the angry, hopeful, listless, fighting, restless people that crowd his world — refuse to be silenced or ignored. They don’t speak “our” language, but by God, they’ll have their say.
Would the world be a better place if we allowed our children to decide whether they’d like to be Hindu, Muslim, Christian, atheist, agnostic, or label-free?