On the heels of the Gujarat HC notice on Pokémon Go, we carried out an intense eight-hour investigation into public interest litigations that never saw the light of day.
Pankaj Tripathi has appeared in seven films in 2017 alone, playing disparate roles that stand testament to his versatility. And, yet Bollywood’s most gifted performer this year is unlikely to feature in roundtables or win awards.
A small-town lesbian love story might make Ek Ladki Ko Dekha Toh Aisa Laga the most unexpected romance of the year, but equally riveting is its secondary plot. The Sonam Kapoor-starrer needs to be lauded for its honest portrayal of parent-child relationships, and exactly how far Indian children go to not disappoint their parents.
Toys become our first friends, ones that we not only choose, but also shape in our own minds. For me, the appeal of Toy Story stems from the love and care we give to our toys; the investment of imagination and the fantastic appeal of a story world that we co-author with these playthings.
Instagram once saved us from the mundane mediocrity of Facebook, one pretty photo at a time. But its new “Ask Me a Question” feature is the epitome of modern loneliness: A way to convince yourself that your followers are actually interested in your life.
Photograph marks Ritesh Batra’s return to writing and directing a Hindi feature film six years after The Lunchbox. His “star-crossed lovers” are separated by class, religion, and aspiration. And yet, both of them lead their lives for others, in this coming-of-age story.
My mother and I lived under the same roof after two decades and clashed, as mothers and daughters do, about “settling down”. All that changed when I got a renal tumour.
Phoebe Waller-Bridge reclaims the idea of female coping in Fleabag. It remains a mordant exploration of what comes into play when women aren’t made to obsess over terminating the umbilical cord of pain, but instead taught to cope by tolerating it.