He knows more about the Red Keep than Maester Pycelle, and can tell you what to feed a growing dragon. The obsessive Game of Thrones fan is creeping out of hibernation as we speak.
Akshay Kumar’s fifth film of 2022 might just be the best of the lot – but it falls short of being a truly compelling action-adventure because of some weak plotting and unconvincing visual effects.
Maybe George RR Martin has a personal dislike for Jon Snow, which the writers of Game of Thrones inherited. It’s the only explanation I can think of to justify how many times the plot has swerved Jon, who can never retire his sulking expression for too long.
Bollywood is so hyped about war that even in the aftermath of the Balakot attack, producers were queuing up to register film titles. But what is the status on the other side of the border? Are war films as much of a sub-genre in Lollywood as it is in Bollywood?
Four More Shots Please! treats Damini no differently from the women journalists who have come before her in the chick flick genre. Like Sex and the City’s Carrie Bradshaw, Damini is not just an unlikeable character – her many flaws are framed as aspirational.
In A Beautiful Day in the Neighbourhood, Marielle Heller isn’t fixated with viewing Fred Rogers as a mystery that needs to be solved. Instead, Heller, complemented by a pitch perfect Tom Hanks performance, is invested in mapping the extent of his influence through a tender tale of redemption.
In Qarib Qarib Singlle, Irrfan Khan plays a loud 40-year-old romantic hero, an antithesis of the Bollywood Rajs and Rahuls. Over four rom-coms, Irrfan has created a brand of romance that is realistic, self-aware, and a reminder that romantic heroes can very well be ordinary people.
What if the tight-knit family in Bong Joon-Ho’s Parasite turned on each other? What if impoverishment got the better of them and they sold one of their kids to get by? Nadine Labaki’s 2018 drama Capernaum, the highest grossing Arabic film of all time, asks these heartbreaking questions.