Ghost Stories Review: Dibakar Banerjee Single-Handedly Offers a Compelling Definition of Modern Horror

Ghost Stories Review: Dibakar Banerjee Single-Handedly Offers a Compelling Definition of Modern Horror

The dullness of Ghost Stories dilutes the urgency of a horror anthology. In the times that we live in, horror is everywhere you look – in state-sanctioned violence, in the militarisation of the police force, the othering of minorities, and in the clampdown of dissent. It’s probably why Dibakar Banerjee’s segment stands out: the director doesn’t just make a film, but also a statement.
Sairat Lovers, All Your Nightmares About Dhadak are True

Sairat Lovers, All Your Nightmares About Dhadak are True

Spoiler alert: Dhadak is as terrible as anyone who has watched Sairat expected it to be. If there’s anyone who can take the ignored issue of caste and ignore it even further, it’s a Karan Johar production. The result is a risible, candyfloss film that embodies everything Sairat mocked.