Logan uses its advantage of being the last film in a series to get away from superhero tropes. It tries to combat the grand question: Why are superheroes important?
Ten years ago, a movie made sense of the chaos around us. Its most astute character was not the hero Batman, but the film’s arch-villain, The Joker. When he said “The only sensible way to live in this world is without rules,” you know he was prophesying the future.
Spider-Man: Far from Home is proof that the MCU still has fresh stories to tell, even as the curtain comes down on its most successful period to date. In the first film of Marvel’s Phase Two, Spider-Man might be far from home, but he’s closer to reality than ever before.
Deadpool 2 manages to make fun of several Marvel superheroes, the entire DC Universe, the people who make all these movies, and the viewers. It is a reminder of how absurd our obsession with comic book superheroes is.
Robert Pattinson’s Batman, if it were even possible, is darker and grimmer but the franchise and film is all better for it. This is a new vision and maybe a new legacy for the superhero we thought couldn’t be imagined any other way.
June was quite a month for superheroes (and supervillains). Loki, the smooth-talking god of mischief officially announced himself as bisexual, a day after it was revealed that Batman got flak from DC bosses for going down on Catwoman in the animated series Harley Quinn.
After ruining Superman for my little sister and making the travesty that was Suicide Squad, Zack Snyder expects me to pay for Justice League. He might as well rob me at gunpoint.
Captain Marvel takes us back to the humble beginnings of the MCU, before we come to its operatic end. It’s a welcome palate-cleanser before the guaranteed plunge into the overstuffed chaos that Avengers: Endgame, releasing next month, will be.
This new cool superhero movie will blow your mind because it features all the famous actors in spandex unitards that you enjoyed watching in other superhero movies.