Ghost Stories Review: Dibakar Banerjee Single-Handedly Offers a Compelling Definition of Modern Horror

Ghost Stories Review: Dibakar Banerjee Single-Handedly Offers a Compelling Definition of Modern Horror

The dullness of Ghost Stories dilutes the urgency of a horror anthology. In the times that we live in, horror is everywhere you look – in state-sanctioned violence, in the militarisation of the police force, the othering of minorities, and in the clampdown of dissent. It’s probably why Dibakar Banerjee’s segment stands out: the director doesn’t just make a film, but also a statement.
Shikara Review: An Incomplete Narrative on the Exodus of Kashmiri Pandits

Shikara Review: An Incomplete Narrative on the Exodus of Kashmiri Pandits

In Shikara, Vidhu Vinod Chopra chooses to look at the Kashmiri Pandit exodus in isolation and not in relation with the continuous othering of the state by the governments of India and their armed forces. In that sense, not only does the film come across as visibly apolitical but also an incomplete narrative where quite a few pieces of the puzzle are missing.
Decoding India’s Love-Hate Relationship with Hasan Minhaj

Decoding India’s Love-Hate Relationship with Hasan Minhaj

The “Howdy Modi” event held in Houston over the weekend was organised to celebrate the contributions of Indian-Americans to the arts. While it was a spectacle of sorts, one particular NRI felt a little left out. Comedian Hasan Minhaj was turned away at the entrance, rekindling the question — “Do Indians love or hate Hasan Minhaj?”