Simran is an ode to Kangana Ranaut’s feminist image. It plays out self-consciously across our movie screens, with an eye to celebrate her quirky, self-made, badass, victim-y image, even when it is at odds with the plot.
Kangana Ranaut’s combative, no-filter style has come with setbacks. Thanks to her unwillingness to be diplomatic, she has alienated an influential chunk of Bollywood. It’s the reason that, even after doing a massive costume drama like Manikarnika, she’s not mentioned in the same breath as contemporaries Deepika, Anushka, and Alia.
As a proverbial star kid struggling to land five lead roles, we have only one guardian angel. He's the man who taught us that all heroes don’t wear capes – some wear Manish Malhotra suits.
In a diary entry, Shraddha Kapoor reflects on the year gone by: “The only call I got after OK Jaanu was from KRK. It was like getting an endorsement from the Ku Klux Klan.”
There’s no denying that the old relationship between cricket and courteousness had become archaic. But after the latest Koffee with Karan episode, which featured Hardik Pandya and KL Rahul on the couch, it might have finally died for good.
Gehraiyaan holds a broken mirror to your soul, by portraying deeply flawed characters with Shakun Batra ably orchestrating, and Deepika Padukone essaying perhaps the role of her career so far.