Reality shows have been around for some time, but Shark Tank India is quietly altering the perception of entrepreneurship in a job and stability obsessed country. It has now become the dinner-table conversation we did not know we could have.

Dear Men, I support your movement. I just want you to stay true to it, for a while, for a long long time actually. We don’t deserve you, yes we don’t.

The third wave is here. It’s screeching through India’s cities and smaller towns, but the suffering of these two years, has perhaps, inured people to respond with anything but a shrug. It’s still life and death, but we are now struggling to even care.

After his deportation from Australia, the world’s best tennis player, Novak Djokovic looks set to also miss the French Open. The Serb has not always been likeable, but in flouting Covid rules, and endangering others he has crossed a line from where his legend now seems irredeemable.

Hotstar’s Human asks the all-important question about what it means to be human. That it is set in the world of pharmaceutical opportunism and intrigue is just a coincidence, for this terrific show headlined by Shefali Shah and Kriti Kulhari is a winner.

Gadgets today look, sound and feel like each other, but only a decade ago, one of them stood out from the rest, most incredibly for seeing the future but failing to jump on its wagon.

Filmmakers these days want to espouse social issues and stigmas but if Atrangi Re’s treatment of mental health is anything to go by, these issues would be better left to those who know a thing or two about it.

Engineers, or techies as we call them are everyone’s idea for a joke or a gateway to better, more humane things. Cubicles, bravely, tries to tell the stories of those who stay and in doing so, humanises them to an extent.

Corporate influencers are moved by garden-variety philosophy and spout vague quotes at the drop of a hat. Usually, none of their rhetoric means anything, but it’s a sacred quality – to say more than you do.

2020 was bad for its own reasons, but 2021 really punched the living hell out of us. Death to this terrible of all years is an understatement. It should instead be sentenced to be things far worse and meaner.

After a brutal second wave that had dented a country’s confidence to perform the bare minimum, an unheralded, humble young man stepped into the shoes of a saviour we didn’t know we needed. Thank you Neeraj Chopra for reinstating our self-belief.

83 obviously tells nothing new, but to generations who weren’t there, and unable to partake in the unexpected glory of the most underdog of victories, the film is monumental, no short of the epic it hopes to retell.

Cities can be unforgiving spaces for young women who want to step out and make a life of their own. Given the circumstances Mumbai’s trains are heaven sent, for women like me.

We invaded Sharib Hashmi's hotel room to ask him extremely important and relevant *coughs* questions about his latest role in "Sorry Bhaisaab", an Arré Studio Film.

Biking is often identified with callousness, but it was in my case, a domestic inheritance. My father trained me to be a biker long before my feet could touch the ground on one.

#ChangeIsClassic Finale is here!

The Indian middle class is righteous to the point that it believes that right will be done by them. It’s also one that contradicts itself on a daily basis . Sorry Bhaisaab is a small capsule that delivers some big-stage ideas about the idiosyncrasies that has this most fascinating proportion of Indian civilisation consumed.

Kabhi Khushi Kabhie Gham hasn’t aged gracefully, but it remains a shining marker of what peak Bollywoodisms look like. Shrill, loud and emoted to within an inch of creative despair this is a film that is iconic for just how excessive it makes the art of filmmaking look. It’s 100 percent Bollywood with add-ons.

Succession takes place in a surreally caustic world where the word love is more scandalous than the word fuck. But Tv’s most foul-mouthed show is beyond the expletives. It remains unmissable.

The second season of Aarya may not feel as fresh but is equally explosive and thrilling, with Sushmita Sen returning to form, and one could say, doing even better than the first season.

Raveena Tandon was supposed to be the headline act in this series, but she is one of the weakest links in what is a serviceable show, almost entirely salvaged by the calm elegance of Parambrata Chatterjee.

Just when Sudhir and Naina started to believe the storm has settled, they're met with a new challenge.. Watch to find out in this episode of #Recoupling

Has the road trip finally urged Rajeev to open up? Find out in this episode of #ChangeIsClassic

Bob Biswas fails to deliver on the creepy mysticism of the original played by Saswata Chatterjee. In his place, Abhishek Bachchan is acceptable but not memorable by any stretch of the imagination.

Vidya Balan is an anomaly. In an industry rife with svelte figures and saccharine personas, her body of work is an aging but fresh breath of air. From playing a sex symbol to a ferocious agent, Balan made offbeat cool before it became mainstream.

What happens when Naina and Sudhir start drifting apart, not due to distance, but time? Watch to find out.

Woke universities and colleges in India look like safe spaces from the outside, but on the inside it is the same old story, maybe even worse. The thread of intolerance, bullying is consistent and things are only worse if you are both Trans and Dalit.

Where do you think this journey will take them next? #ChangeIsClassic

House of Gucci retells a well-known story with unique effervescence and acting quality bordering on the absurd. Of all the headline acts, it’s the non-actor actor, Lady Gaga, who steals the show.

Moving out as a couple is always intimidating, find out how Sudhir and Naina deal with #Recoupling