Saif Ali Khan brings grace to the role of Vikram but it is the charisma of Hrithik Roshan’s Vedha that delights in this mass entertainer shouldered by a terrific script.

When real life experiences fuelled my trust issues with partners, sexting became my cheat code to remain present, despite all my issues with power play of the actual act.

As far as iconic images ago, the sight of Roger Federer and Rafael Nadal holding hands after their last game is for the ages. It represented friendship, respect, but most of all it represented the unique capacity of two giants of tennis, to be vulnerable together.

Hush Hush is a familiar tale of elite crimes, but it is elevated by fantastic performances delivered by a diverse group of formidable actresses.

In his prime Raju Srivastava was a brilliant observer and possibly mainstream cable television’s first brush with the heartland.

For two decades, significant moments in my life have seemed to intersect with those in Federer’s. Even his retirement comes at a time of definite change for me. We were in a sense, meant to grow older together.

On paper, Brahmastra had every right to think it would revive the larger-than-life romance. The fact that none of the Ranbir Kapoor-Alia Bhatt spark translates on screen says a lot about mainstream Hindi cinema’s dated ideas, and the modern viewer’s demand for nuance.

There’s much to appreciate in the simple, sometimes wobbly, but relentlessly large-hearted intentions of this first instalment in Ayan Mukerji’s years-in-the-making saga.

I used to be the fancy plant hoarder without ever really caring after them but it wasn’t until I started to nurture some less exotic saplings, did I feel the therapeutic effects of gardening.

The reality show can be cringe at times, but it is also oddly empowering in the sense that these women would not come to our screens if not sought out for who they are, rather than what they could have been.

Akshay Kumar is the weakest link in a film that rarely makes sense or has you at the edge of your seat.

When I turned to polyamory it wasn’t to explore connections, but possibly to get over the trauma of early exclusive relationships that were defined by skewed ideas of possession and jealousy.

Words probably won’t do justice to just how harrowingly brilliant Shefali Shah is in the second season of Delhi Crime. It’s humbling to be in presence of such precocious talent, that even our faculties to fully appreciate and preserve it are beginning to feel suspect.

Liger fails on almost all fronts as one giant incoherent mess of a film, that can’t even do bare clichés right, let alone suggest it has the scent of originality.

The arrest of a Noida woman, after she misbehaved with the guards of her society is only the tip of the iceberg. We are all perhaps guilty of punching downward on the food chain.

Dobaaraa has plenty of things working work it including Tapsee Pannu’s acting and Anurag Kashyap’s direction. In fact, it possibly outdoes the original.

I used to dislike the society’s I-day celebrations that sounded and felt like a repeat of the one before, but for the two years during the pandemic that it went missing, I realised its importance.

A professor was forced to resign in Kolkata, for images she put up of herself on her social media. For some inane reason this non-imposition has been deemed her fault.

Laal Singh Chaddha is a faithful remake of Forrest Gump but besides a couple of heartfelt moments it imports no language or perspective of its own.

Amma and I were put together in a room by fate, but our relationship has bloomed because of trust and empathy. In fact, I can’t recall having a better friend in the truest sense of the word.

Some days I want to burn a gazillion calories and get a six-pack and on other days I want to cook my favourite meals, be a glutton and accept myself as I am. The problem is there are an equal number of people on social media giving ‘gyaan’ on both, and I tend to endlessly switch between the two.

Darlings take its sweet time to get going, but is shouldered by three impeccable performances that become the mainstay of a film happy to avoid genre clichés.

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Though Masaba Masaba looks stylised and elite, it also captures the dark, often underexplored and unsexy side of Girlbosses.

Good Luck Jerry is anchored by a career-best performance by Kapoor and though it isn’t deep or particularly inventive, the film is charming, entertaining and ludicrously simple, but in a good way.

Kumud Mishra plays empathetic characters with stunning elegance but in SonyLiv’s Dr Arora he also manages to add quiet angst to the portrayal of a heartbroken middle-aged man.

Singh is known for making bold choices, but the fact that a man who is often inarticulate and carries a messy energy, the decision to bare it all opens a door for expression where none presumably existed.

Shamshera doesn’t quite deliver on the anticipation of a touted pan-India film, but its politics and front-foot stance is refreshing, even if unevenly portrayed.