By Rahul Desai Sep. 04, 2019
You can’t blame Roger Federer fans for living in an alternate-reality universe. We undo his mistakes and then wake up knowing that he still lost.
At age 38, Roger Federer is in the semifinals of the 2019 US Open. He will face old comrade Stan Wawrinka, in what promises to be a ballet of single-handed backhands. The draw has been kind to Wawrinka. Quarterfinal opponent Daniil Medvedev succumbed to a sore shoulder. His retirement was inevitable after a packed North American schedule. Wawrinka’s fourth-round opponent, too, looked far from his best. But who can blame Novak Djokovic?
It hasn’t been an easy few months for the defending champion. The “crazy eye” is missing. The aura of invincibility has dimmed. Mental fatigue is an underrated element of sport. It’s the mind that pumps blood to the heart of elite athletes, not vice versa. You keep replaying a crucial point in your head – the one that has given you sleepless nights and crippling days – until you find a way to win it. You undo the mistake. And then you wake up, minutes before your 9645th practice session, knowing that you still lost. There is no escape. The flashbacks won’t cease. Djokovic hasn’t been the same since that Wimbledon final.
That Wimbledon final.
8-7 in the fifth, 40-15 on the Swiss serve. Djokovic expects a serve out wide. But Federer goes down the center. Net cord. Only just. A nervy second serve. A nervier inside-out forehand. 40-30. The gentlemanly spectators on Center Court have become raucous New Yorkers. You sense another error coming, another championship point going. But Federer breathes. He, very uncharacteristically, takes his time. He’s been here before, but it feels like the first time. The noise fades out. He goes for a body serve. The Serb blocks it back. Roger Federer charges forward. Hearts enter mouths and knock at teeth like bad drop vollies. He swings for the corner, but doesn’t get the angle. Djokovic is ready to pass him with a cross-court forehand. Collective breaths are held across the globe.
The flashbacks won’t cease. Federer hasn’t been the same since that Wimbledon final. Tim Clayton/Corbis via Getty Images
The flashbacks won’t cease. Federer hasn’t been the same since that Wimbledon final.
Tim Clayton/Corbis via Getty Images
Out of nowhere, Federer chooses a side. The ball hits the frame of his racket. Limps off the net cord. Teases. And rolls across to the other side… like a bad drop volley. Djokovic grins sadly, like a man who has survived a plane crash only to be paralysed by a wet bathroom floor. Federer is torn between apologising and gesturing wildly to the heavens. Game, set, luck. Humankind exhales; a two-degree rise in global temperature is reported. Mirka is ecstatic, London is loud. For the first time, Federer overcomes Nadal and Djokovic back-to-back to win a Grand Slam title. Suddenly, every young tennis fan wants a pet GOAT.
News travels fast. It reaches Lord’s. A collective gasp rings out in the ground while Ben Stokes is batting. Martin Guptill, standing in the deep, feels a surge of calm when he hears about 37-year-old Federer. For a fleeting moment, he forgets about his own wretched tournament. He doesn’t try to run Stokes out in the last over. The ball settles in the quizzical keeper’s gloves. 7 off 2. Stokes only manages a single off the next Boult yorker. 6 off 1. Rashid swings. New Zealand win the World Cup by 4 runs. The stadium goes silent.
As Federer fields questions in the winner’s press conference, Kane Williamson walks up to a shattered Stokes and helps him to his feet. They embrace. Williamson asks reporters to give some space to Stokes. Djokovic tells reporters that he threw everything at the man with 21 Grand Slam titles. Three weeks later, on August 8, Federer brings in his birthday with Williamson. The two meet for a photo-op in Dubai during their month-long victory lap. The picture goes viral. The trophies look similar. The men sound similar.
Federer’s curse is that he can never play for redemption; he hasn’t failed enough for that.
You can’t blame Federer fans for living in an alternate-reality universe since July 14. We keep replaying that crucial point in our head – the one that has given us sleepless nights and crippling days – until we find a way to win it. We undo his mistake. And then we wake up, minutes before our 9645th working day, knowing that he still lost. There is no escape. The flashbacks won’t cease. Federer hasn’t been the same since that Wimbledon final.
What if he had won the ’08 final? Melbourne ’09? Wimbledon ’15? It speaks volumes about Federer that in a career full of historic triumphs, it’s the historic defeats that will be remembered. Because he keeps playing. He keeps coming back for more. He didn’t die a God; he lived long enough to become human. And he goes deep enough to fall – in the quarters, semis, finals, at championship point, at the brink of immortality. At every stage he dominated when he was younger. Earlier he was just a chunk of beautiful flesh carving his way across courts and collecting trophies for fun. Now there is flesh and blood. Now there is a body – flailing, performing, grieving. He bleeds, like an everyman capable of flashing glimpses of genius. He scars, like a journeyman whose comeback is repeatedly cut short. When he wins, there is a sound to the silent imagery of his game. When he wins, it is against time and tide.
Sometimes he loses – his mind, rhythm, form, cool. Sometimes he is beaten, by players who need to win. Grigor Dimitrov needed to win on Tuesday night. Federer’s curse is that he can never play for redemption; he hasn’t failed enough for that. Dimitrov, the forgotten child of Generation Next, had lost six out of seven matches heading into the US Open. When Federer replays the match in his head, he might realise that there was no single point that could have altered his immediate future. There were 64 separate points, 64 separate unforced errors: Some at triple breakpoint, some at 0-0 in the fourth, but all at love for the game.
Instead, in our little universe, Federer is now a match away from facing Nadal in their first ever US Open final. Tim Clayton/Corbis via Getty Images
Instead, in our little universe, Federer is now a match away from facing Nadal in their first ever US Open final.
Tim Clayton/Corbis via Getty Images
He was a set away from facing an in-form Medvedev in the semis. Instead, in our little universe, Federer is now a match away from facing Nadal in their first ever US Open final. Again. And then we wake up to remember: If he had won that ’08 final, the hunger would have changed. A French Open might have forever eluded him. He would have kept at it – on clay – until his body aged faster. And the ’16 surgery would have ended his career. Which is why Dimitrov, a player who has modelled his entire game on Federer’s, fights back in the 2019 US Open men’s quarterfinal. Inspired by memories of a 19-year-old boy beating his childhood idol Pete Sampras on Center Court in 2001, Dimitrov wins in five sets.
This is our little universe. Roger Federer’s entire career has been a universe of alternate realities. His life has already been directed by Quentin Tarantino. July 14 was part of our dream. The nightmares lend blood to the flesh of this dream. Because one morning, we might really wake up. The year will be 2003. A pony-tailed Federer walks onto Center Court. His opponent is Mark Philippoussis. And Federer is broken to love.
A film critic (Film Companion) and columnist (The Hindu), Rahul Desai writes about everything cinematic under Mumbai's hot sun. When he isn't writing, you can find him losing in Fantasy League Sports, or exploring obscure countries to identify locations of his favourite films.