Shettyverse ka parda cheer ke aa gaya, Bollywood ka Shilajeet! Aur jaise puberty mein muhasa jayaz hai, apne Simmba ka Mufasa najayaz hai. Ab janta baukhlayegi, na na karte bhi 200 crore kamayegi.

Mahesh Bhatt’s Zakhm completes 20 years today and feels even more relevant because of the rigidity of this country’s communal compass. The film is proof that Bhatt sees conflict like no other director from the industry.

While watching Aayush Sharma in Loveyatri, I was reminded of the stock ’90s hero – someone who had the inherent talent of hamming and could champion patriarchy while celebrating matriarchy; could flex muscles as well as emotions; and become taller, sharper and stronger as the narrative progressed.

Rab Ne Bana Di Jodi, which turns a decade today, is often mocked for its simplistic premise. But the film actually overturned quite a few tropes: Taani is the textbook definition of a tortured hero, while Suri’s “hep” alter-ego Raj is like the manic pixie dream girl, instrumental in triggering the hero’s profound transformation.

Garam Dharam’s Lit AF Instagram feed is the most feel-good thing on the internet right now. The Bollywood stalwart’s posts reflect his carefree nature and zeal for life and serve as a stark reminder that there’s nothing quite as adorable as old people on social media.