Future civilisations will think of the original inhabitants of Earth as a primitive race, which played a game called Holi with each other, but not before respectfully asking for consent. Until they find news reports of the accusations against Anu Malik, at least.

The Indian election episode of Patriot Act with Hasan Minhaj is a primer on the upcoming polls. Even if Minhaj didn’t intend it, the episode, with its alarmist tone, buys entirely into the “There is No Alternative” theory floated by the BJP.

Delhi Crime chronicles the three days of a nationwide manhunt for the six men responsible for the 2012 Delhi gang rape. Much of what happens in the series is well-known, but it is still compelling for it doesn’t glamourise either the police’s job or its capability to do so. This is reality, the series seems to say – deal with it.

Introducing Arré Sunte Ho!, a weekly podcast featuring hot takes on hotter topics. This week, we delve into India's wedding mania, from the media circus of the Ambani Wedding to the runaway success of Made In Heaven.

In our vast and diverse democracy, is it really possible for every filmmaker, writer, and performer to have the same rose-tinted view of the country? Obviously not. That’s why Kunal Kamra, whose bracing political satire dares to challenge that status quo, stands out.

Gulaal is perhaps Anurag Kashyap’s most unforgiving film and not because it’s dressed in his trademark brashness, but because like life, it is grounded in cynicism. That said, the movie earned its cult status largely due to one man: Piyush Mishra and his doomsday poetry.

Bollywood is so hyped about war that even in the aftermath of the Balakot attack, producers were queuing up to register film titles. But what is the status on the other side of the border? Are war films as much of a sub-genre in Lollywood as it is in Bollywood?

For a long time, Bollywood has convinced us that the shortcut to a happily-ever-after is marriage. But Zoya Akhtar and Reema Kagti’s Made in Heaven intends to tear a hole in the utter romanticisation of this custom. It shows us a side of marriage – an examination of why people choose to be in it – that has rarely been depicted on celluloid.

Zoya Akhtar and Reema Kagti’s Made in Heaven dissects the transactional nature of Indian weddings and critiques the concealed social regressiveness of urban India. It’s also a rare show that explores homosexuality as an Indian identity instead of reducing it to an empty statement.

Captain Marvel takes us back to the humble beginnings of the MCU, before we come to its operatic end. It’s a welcome palate-cleanser before the guaranteed plunge into the overstuffed chaos that Avengers: Endgame, releasing next month, will be.