{"id":5546,"date":"2016-03-02T23:30:40","date_gmt":"2016-03-02T18:00:40","guid":{"rendered":"http:\/\/13.201.39.237\/?p=5546"},"modified":"2016-03-02T23:30:40","modified_gmt":"2016-03-02T18:00:40","slug":"the-sky-is-pink-review-priyanka-chopra-farhan-akhtrar-zaira-wasim","status":"publish","type":"post","link":"https:\/\/www.arre.co.in\/?p=5546","title":{"rendered":"The Sky Is Pink Review: A Tender Family Drama Shouldered By an Evocative Priyanka Chopra"},"content":{"rendered":"\n<p><span class=\"dropcap\">D<\/span>irector Shonali Bose was cherry-picked to make <\/p><i><span style=\"font-weight: 400;\">The Sky Is Pink<\/span><\/i><span style=\"font-weight: 400;\">, a biopic drama centred on Aisha Chaudhary, a terminally-ill teenager, author, and motivational speaker, who died at the age of 18. Before she died, Aisha had reportedly wanted to watch Bose\u2019s previous outing, <\/span><i><span style=\"font-weight: 400;\">Margarita with a Straw,<\/span><\/i><span style=\"font-weight: 400;\"> also based on a true story of a young woman living with a debilitating disease. As it turned out, Aisha breathed her last before she could watch it. Getting Bose to adapt her life on the big screen, replete with a generous budget and a star cast then, makes for an affecting coda to Aisha\u2019s death.\u00a0<\/span>\n\n<span style=\"font-weight: 400;\">But it\u2019s worth noting that Bose adopts a curiously alternative gaze to the dying girl template that terminal dramas like <\/span><i><span style=\"font-weight: 400;\">My Sister\u2019s Keeper<\/span><\/i><span style=\"font-weight: 400;\"> and <\/span><i><span style=\"font-weight: 400;\">The Fault in Our Stars <\/span><\/i><span style=\"font-weight: 400;\">have both popularised and glamourised. This isn\u2019t a film that explores the psyche, anxieties, or even rebellion of a dying teenager (Aisha doesn\u2019t have even one bitter showdown with her parents) with an obsessive attention to detail. Instead, it reverses convention by placing her in the sidelines: Aisha \u2013 played by the winsome Zaira Wasim in presumably her final role \u2013 is dead when the <\/span><i><span style=\"font-weight: 400;\">The Sky is Pink<\/span><\/i><span style=\"font-weight: 400;\"> begins. She spunkily narrates the story from beyond the grave (<\/span><span style=\"font-weight: 400;\">\u201c<\/span><span style=\"font-weight: 400;\">Oh, and by the way, I\u2019m dead. Get over it!\u201d she says<\/span><span style=\"font-weight: 400;\">). <\/span><span style=\"font-weight: 400;\">The spotlight is instead on her family; on her parents, Moose and Panda, who were forced to give up the luxury of being carefree partners and on her brother Giraffe, who felt obligated to run away to protect her. It&#8217;s a manual on how families \u2013 broken, flawed, self-involved, and doomed \u2013 endure themselves.<\/span>\n\n<span style=\"font-weight: 400;\">Over the course of 135 minutes, Bose remains fixated not as much on leading up to the finality of Aisha\u2019s death but in examining the ethos of parenthood; the afterlife of caregiving that depletes one while nourishing the other. It\u2019s why <\/span><i><span style=\"font-weight: 400;\">The Sky is Pink<\/span><\/i><span style=\"font-weight: 400;\"> feels less like a biopic of a dead teenager and more like an unabashed tribute to the two fighters <\/span><span style=\"font-weight: 400;\">\u2013 Aisha\u2019s parents Aditi (Priyanka Chopra Jonas in her comeback role) and Niren Chaudhary (an affable Farhan Akhtar) \u2013 who volunteered to a losing battle for over two decades. It\u2019s tempting to read between the lines here. Back in 2010, Bose lost a teenage son to circumstances beyond her control. Like Aditi, she waged a war: Bose and her husband filed a death-by-negligence suit against a US tools major, a case that was eventually <\/span><a href=\"https:\/\/www.news18.com\/news\/india\/nris-lose-case-against-us-firm-on-sons-death-504104.html\"><span style=\"font-weight: 400;\">dismissed<\/span><\/a><span style=\"font-weight: 400;\">. The loss of her son also marked the end of her marriage. In comparison, the film has a happier ending. In many ways then, <\/span><i><span style=\"font-weight: 400;\">The Sky is Pink<\/span><\/i><span style=\"font-weight: 400;\"> feels like a film that chose Bose and not the other way around. It serves additionally, as both a post-mortem of the filmmaker\u2019s own fate and an exercise in second-hand catharsis or wish-fulfillment, depending on which side you are on.<\/span>\n\n<span style=\"font-weight: 400;\">Written by Bose, Nilesh Maniyar, and Juhi Chaturvedi, <\/span><i><span style=\"font-weight: 400;\">The Sky Is Pink<\/span><\/i><span style=\"font-weight: 400;\"> begins right after Aisha\u2019s death and spans over two decades across two countries, right from Chandni Chowk in 1987, London in the 1990s, to New Delhi from 2008 to 2015. The stakes of the film are explained early on. When Aditi informs Niren that she is pregnant with Aisha, he wants her to abort the child \u2013 with good reason. We learn that they had another daughter called Tania who died after contracting combined immunodeficiency soon after being born. There\u2019s a probable chance that any of their children could have the same disease and by extension, meet the same end. Their son Ishaan (Rohit Saraf) escapes that fate, but Aisha, who Aditi eventually gives birth to, becomes its victim.\u00a0<\/span>\n<blockquote class=\"quote--center\">Even the cheery affection of Zaira Wasimn&#8217;s voice is modulated to a precision so that it doesn\u2019t invoke pity.<\/blockquote>\n<span style=\"font-weight: 400;\">As a result, Aisha\u2019s life is marked with illness and hospitals from the very beginning. Her treatment requires her to be in London, a move that isn\u2019t initially financially practical for the Chaudharys. So they split up. Niren takes Ishaan with him to Delhi, where he toils day and night to earn a living, while Aditi tends to their daughter in a matchbox apartment in London. Bose draws out the pressures of long-distance marriage, parenthood, and paranoia humorously yet thoughtfully in these portions \u2013 a pang of jealousy is underlined by Aisha\u2019s cheeky asides in the voiceover but it also culminates into a sombre sequence of round-the-clock caregiving.\u00a0<\/span>\n\n<span style=\"font-weight: 400;\">A few months later, Niren and Ishaan move back and the family lives in the outskirts of London until Aisha is 13 years old. A bi-annual blood test that gives out the illusion of normalcy triggers Niren\u2019s decision to move back to Delhi, where the family make a lavish Chattarpur farmhouse their home until Aisha\u2019s death. It\u2019s in this setting that the film plays out its delicate moments while tenderly tracking Aisha\u2019s teenage life. It\u2019s not clear whether she regularly goes to school or is home-bound; she spends her days painting, shopping, developing a crush, and experiencing her first heartbreak.\u00a0<\/span>\n\n<span style=\"font-weight: 400;\">For the most part, <\/span><i><span style=\"font-weight: 400;\">The Sky is Pink <\/span><\/i><span style=\"font-weight: 400;\">plays out predictably: There is a lightness of touch to dilute the grief that death begets, saccharine payoffs (Aisha gets to hold the book she wrote before she dies), the insistence at looking at the bigger picture and celebrating the fickleness of life, and the joking spirit of a dying girl, that now stands the risk of being overused. It is to Bose\u2019s credit that she sniffs out the winning notes from these templates so deftly that it is hard to not be convinced by the significance of the film\u2019s silver linings (the scene that lends the film its title is particularly moving). It\u2019s perhaps, the same reason why any accusation of <\/span><i><span style=\"font-weight: 400;\">The Sky is Pink<\/span><\/i><span style=\"font-weight: 400;\"> being emotionally manipulative seems unfounded, given Bose hardly has to manufacture any sympathy: After all, the tragedy unfolded in real life long before it plays out on our screens.\u00a0<\/span>\n<blockquote class=\"quote--center\"><em>The Sky Is Pink<\/em> is a winsome return to form for Priyanka Chopra.<\/blockquote>\n<span style=\"font-weight: 400;\">When the film\u2019s blatant lack of depth \u2013 it occasionally feels overstuffed and distracted \u2013 threatens to overpower its pleasures, it is redeemed by the effortlessness of its lead performances. Akhtar, an actor with an unremarkable acting career, delivers a supporting performance that delightfully optimises restraint. Notice the quietness in the scene, where he enters a teary Rohit&#8217;s room to comfort him after Aisha passes away but ends up crying, himself. As Aisha, the ridiculously talented Wasim, continues being endlessly watchable. Her evocative face has a language of its own and an underwater sequence (an evident harkback to <\/span><i><span style=\"font-weight: 400;\">Dil Dhadakne Do<\/span><\/i><span style=\"font-weight: 400;\">, that shares the film\u2019s two leads) where it lights up instinctively is single-handed evidence of how the actor mines sentimentality to make us blindly root for her family without demanding any sympathy for herself. Even the cheery affection of her voice is modulated to a precision so that it doesn\u2019t invoke pity.<\/span>\n\n<span style=\"font-weight: 400;\">Given that <\/span><i><span style=\"font-weight: 400;\">The Sky of Pink<\/span><\/i><span style=\"font-weight: 400;\">\u2019s gaze entails that its terminal protagonist acts out lesser than her mother, Chopra Jonas does ample justice to her role, conveying the resilience of grief by turning in a performance that pulsates with emotional ferocity. The actress, who also co-produced <\/span><i><span style=\"font-weight: 400;\">The Sky Is Pink,<\/span><\/i><span style=\"font-weight: 400;\"> flits between being loving, protective, selfish, careless, and psychologically wounded with an alarming ease<\/span><i><span style=\"font-weight: 400;\">.<\/span><\/i><span style=\"font-weight: 400;\"> It also helps that the film\u2019s two leads share an electrifying chemistry. In every frame that they are together, Chopra Jonas and Akhtar are devastating as they paint a volatile portrait of a marriage and parenthood that is forced to service one over the other.\u00a0<\/span>\n\n<span style=\"font-weight: 400;\">Late into the film, there\u2019s a moment where Bose warmly fuses together both their roles in a way that complements their bond: At a Christmas party in their house, Niren shifts gears from a heart-wrenching carol to a more upbeat song the instant he notices that its upsets Aditi, possibly reminding her of Aisha\u2019s impending death. For a moment, their eyes meet and both of them acknowledge each other\u2019s losses in keeping the other sane. It\u2019s an apt summary of <\/span><i><span style=\"font-weight: 400;\">The Sky in Pink<\/span><\/i><span style=\"font-weight: 400;\">, which strives to say in as many words, that despite pain or tragedy, love will always remain a choice we can bank on. <\/span>\n","protected":false},"excerpt":{"rendered":"<p>The Sky Is Pink feels less like a biopic of a dead teenager and more like an unabashed tribute to the two fighters who volunteered to a losing battle for over two decades. It\u2019s predictable and familiar yet affecting and tender, especially as an examination of unconditional caregiving.<\/p>\n","protected":false},"author":103,"featured_media":5547,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[3114],"tags":[1010,9435,9436,36],"class_list":["post-5546","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-bollywood","tag-farhan-akhtar","tag-priyanka-chopra-jonas","tag-the-sky-is-pink-review","tag-zaira-wasim"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v28.0 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>The Sky Is Pink Review: A Tender Family Drama Shouldered By an Evocative Priyanka Chopra<\/title>\n<meta name=\"description\" content=\"The Sky Is Pink feels less like a biopic of a dead teenager and more like an unabashed tribute to the two fighters who volunteered to a losing battle for over two decades. 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