{"id":4752,"date":"2016-07-29T04:04:05","date_gmt":"2016-07-28T22:34:05","guid":{"rendered":"http:\/\/13.201.39.237\/?p=4752"},"modified":"2016-07-29T04:04:05","modified_gmt":"2016-07-28T22:34:05","slug":"bharat-review-salman-khan-katrina-kaif-ali-abbas-zafar","status":"publish","type":"post","link":"https:\/\/www.arre.co.in\/?p=4752","title":{"rendered":"Bharat Review: Did We Really Need Another Salman Khan Vanity Project?"},"content":{"rendered":"\n

A<\/span>nything can happen in a <\/p>Salman Khan<\/a> film. Ali Abbas Zafar\u2019s Bharat<\/span><\/i> \u2013 a remake of the South Korean film, <\/span>Ode To My Father<\/span><\/i> \u2013<\/span> takes that idea quite literally. <\/span>\n\nAs a result, a 44-year-old Sonali Kulkarni plays mother to a 53-year-old Salman Khan (even to the eponymous 70-year-old version of him in the film) and no one bats an eyelid. It\u2019s why the women in <\/span>Bharat<\/span><\/i> mysteriously keep disappearing, getting married, or dying at frequent intervals. And also why Khan\u2019s Bharat saves a hijacked Indian ship from a Somali pirate by simply making racist jokes (\u201cYou\u2019re black, I\u2019m black,\u201d says the actor, without a touch of irony before pointing to a dark Indian man and labelling him African). The pirate in turn responds by fanboying over Amitabh Bachchan<\/a> in Deewar<\/em> and dancing to Bachchan\u2019s songs with Khan, leaving the ship and its inhabitants unharmed. Like I said, <\/span>Bharat<\/span><\/i> really does go the extra mile to prove that anything can happen in a Salman Khan film.<\/span>\n\nIn the film, Khan plays a 70-year-old with the sculpted body of a 30-year-old (he works out at Lodhi Garden) and the attitude of a 20-year-old fashion blogger whose personality trait is swearing by Being Human T-shirts. Narrated entirely in flashbacks, Bharat\u2019s intercontinental journey spans over six decades and has him experiment with jobs as frequently as a snooty Bandra<\/a> millennial with a Blue Tokai addiction. He starts off as a\u00a0 boot-polisher, car window-cleaner, newspaper seller, becomes a stuntman at a circus, and transitions into a lowly labourer in the Middle East, where he finds enlightenment after surviving a laughable blast in an underground gas-pipe tunnel. Then he gives up a job offer from the Indian Railways to become a grocery entrepreneur, and ultimately retires as a Navy officer. Because he is played by Khan, the superstar, Bharat the character doesn’t even interview for any of these jobs, unless you count a “comic sequence” involving a physical examination that requires him to drop his pants, as one.<\/span>\n\nBharat<\/span><\/i> is the second film this year \u2013 after Abhishek Varman\u2019s <\/span>Kalank<\/span><\/i><\/a> \u2013 that takes to minining Partition as a gimmicky plot twist. It revolves around 70-year-old Bharat (Salman Khan), a sacrificial bachelor who spends his whole life searching for his missing father (Jackie Shroff) and younger sister (Tabu), separated from him while fleeing a riot-hit Pakistan in 1947. The promise of this big-budget magnum opus was presenting a snapshot of the tumultuous history of India through the six-decade long journey of one person.<\/span> Ode To My Father<\/span><\/i>, for instance, marvellously used its lead\u2019s emotional arc to inform the ramifications of the division of North Korea and South Korea. <\/span>Bharat<\/span><\/i>, in comparison, seems like a parody that reduces the horrors of Partition to a millennial MTV reality show, accompanied by a promotional Instagram photoshoot. In the film\u2019s climax, Bharat is reunited with his lost sister through a live Zee TV transmission that allows them to hear, see, and<\/em> talk to each other through a television screen. One of them is in India and the other in London. Forget logic, Salman Khan movies even trump technology.<\/span>\n

In Bharat, Salman Khan plays a 70-year-old with the sculpted body of a 30-year-old.<\/blockquote>\nIt also doesn’t help that the history of India is merely glossed over in <\/span>Bharat<\/span><\/i>, giving one no real sense of the evolution of the country. Partition predictably occupies a chunk of Zafar\u2019s attention and the film reinforces the worst cliches \u2013 think bloodied bodies, tears, and villainous Muslims \u2013 while India\u2019s 1983 World Cup win, Manmohan Singh, Shah Rukh Khan,<\/a> and Sachin Tendulkar are hurriedly invoked. Even when stripped off its ambitious historical sweep, <\/span>Ode To My Father<\/span><\/i> was a compelling watch, primarily due to how it crafted a sentimental tale of family and loss that was informed by the pangs of longing of a vulnerable son for his father. <\/span>Bharat<\/span><\/i> however, fails foremost, at evoking emotional investment in the father-son tale. Its developments, whether it is a teary family reunion at an airport or a son finally coming to terms with his father\u2019s death, is rendered inarguably bland and soulless. Khan’s tears have more glycerine than genuine emotion.<\/span>\n\nMuch of it is naturally because <\/span>Bharat <\/span><\/i>is designed solely as an annual Salman Khan vanity project that leaves no room for either story or character development, using its extraordinary cast of supporting actors only for reaction shots. Shroff who plays Khan\u2019s father is missing from almost the entire film and Shashank Arora, made to play Bharat\u2019s younger brother, doesn\u2019t even get a proper name or dialogues. Even Sunil Grover who plays Vilayati (that translates to \u201cforeign\u201d, which is another example of the film\u2019s questionable humour given that the character is introduced as Muslim<\/a> in the flashbacks), Bharat\u2019s best friend, is exploited only for laughs and convenience. Even more jarring is Zafar’s decision to give its melodramatic source-material a needless comic makeover. The humour in Bharat<\/em> is not just unfunny but also horrifyingly repulsive \u2013 laughs are gained from a man commenting on a woman’s backside, racism, obesity, and even underwear. Moreover, if there’s something truly frightening than Khan’s acting skills, then it is his comic timing. The problem is, Bharat<\/em> relies heavily on it.\u00a0<\/span>\n
Bharat<\/em> proves that anything can happen in a Salman Khan film.<\/blockquote>\nBesides Khan, the only person then, who is allowed to have considerable screen-time is Kumud (Katrina Kaif<\/a>), Bharat\u2019s \u201clive-in\u201d girlfriend, whose marriage proposal he turns down early on, prioritising taking care of his mother instead. n what comes as a surprise to no one, Bharat doesn\u2019t even end up taking care of his mother, making Kumud do it on his behalf. And even though Kumud claims that they are one of the first \u201clive-in couple in India\u201d, he doesn\u2019t technically live in with her either. The actress, whose role involves mothering an overgrown manchild, feels the closest to reality, although she plays a 70-year-old even less convincingly than Khan, which is a non-acting feat in itself. I At this point, Priyanka Chopra choosing to get married to Nick Jonas so that she wouldn\u2019t have to play Kumud in <\/span>Bharat, <\/span><\/i>is nothing less than an inimitable power-move.<\/span>\n\nClocking in at almost three hours, <\/span>Bharat <\/span><\/i>is an excruciating watch, which is exacerbated by the fact that neither Khan\u2019s acting or dancing skills looks like they\u2019re in any mood to ever improve. Yet, the extent of the film\u2019s pointlessness and embarrassing dialogues (Radha, one of Bharat\u2019s love interests bids him goodbye by saying \u201cKisi bhi Radha ko uska Krishna nahi milta\u201d) feels slightly unexpected given that Zafar\u2019s reputation of being one of the rare directors who can get Khan to emote. <\/span>If in <\/span>Sultan<\/span><\/i>, Zafar succeeded in making Khan play a character almost convincingly, then in <\/span>Tiger Zinda Hai<\/a>,<\/span><\/i> he dialed up the mainstream appeal of Khan as a brainless entertainer. In that sense, <\/span>Bharat<\/span><\/i> is a colossal misfire \u2013 in a similar fashion as <\/span>Tubelight, <\/span><\/i>another doomed<\/span>\u00a0remake<\/span> \u2013 that has no idea what to do with itself. Over the years, if there\u2019s one thing Salman Khan has taught Bollywood, it\u2019s to not have any expectations from him. Zafar\u2019s <\/span>Bharat <\/span><\/i>takes even that idea quite literally.<\/span>\n","protected":false},"excerpt":{"rendered":"

Ali Abbas Zafar\u2019s Bharat goes the extra mile to prove that anything can happen in a Salman Khan film. The film feels like a parody that reduces the horrors of Partition to a millennial MTV reality show and has Khan play a 70-year-old with the attitude of a 20-year old.<\/p>\n","protected":false},"author":103,"featured_media":4753,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[3114],"tags":[],"class_list":["post-4752","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-bollywood"],"yoast_head":"\nBharat Review: Did We Really Need Another Salman Khan Vanity Project?<\/title>\n<meta name=\"description\" content=\"Ali Abbas Zafar\u2019s Bharat goes the extra mile to prove that anything can happen in a Salman Khan film. 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