{"id":4571,"date":"2016-05-06T17:01:45","date_gmt":"2016-05-06T11:31:45","guid":{"rendered":"http:\/\/13.201.39.237\/?p=4571"},"modified":"2016-05-06T17:01:45","modified_gmt":"2016-05-06T11:31:45","slug":"in-josh-filled-2019-would-main-hoon-na-bollywoods-masala-movie-on-the-military-find-any-takers","status":"publish","type":"post","link":"https:\/\/www.arre.co.in\/?p=4571","title":{"rendered":"In Josh-Filled 2019 Would Main Hoon Na, Bollywood\u2019s Masala Movie on the Military, Find Any Takers?"},"content":{"rendered":"\n

A<\/span><\/p><\/div>

s <\/span>Avengers: Endgame<\/span><\/i><\/a> continues annihilating the box office, Bollywood has been maintaining a stoic distance. Besides the star-studded <\/span>Kalank<\/span><\/i> that bombed unceremoniously after its opening weekend, April has hardly witnessed any releases. Of course, that could be because most of the year\u2019s big outings so far had already been scheduled in the run-up to the general elections. Whether it was top-grosser <\/span>Uri: The Surgical Strike<\/span><\/i> or costume dramas <\/span>Kesari <\/span><\/i>and <\/span>Manikarnika: Queen of Jhansi<\/span><\/i>, the tone of Bollywood in 2019 has, thus far, struck a unanimous and loud patriotic note. Then there was that one \u201cnon-political\u201d biopic on PM Modi that was refused release by the Election Commission, over concerns that it was election propaganda.<\/span>\n\nNow that campaigning is over and elections results are barely a month away, perhaps the political agenda that has ruled the first quarter in Bollywood year will cool off. But it\u2019s bound to be temporary. Segueing neatly into a recent trend of hagiographies posing as biopics, <\/span>patriotic movies<\/span><\/a> now focus on lionising their subjects, elevating them beyond the reach of reality. Just look at the trailer for the postponed biopic of PM Modi, for example. Similarly, <\/span>Uri<\/span><\/i> has come under fire for glorifying the hardships soldiers face during war, and aggrandising a real-life surgical strike. Politics, military, and the movies have become so intertwined that it\u2019s hard to imagine going back to the days when patriotic films like <\/span>Rang De Basanti <\/span><\/i>and <\/span>My Name Is Khan<\/span><\/i> \u2014 with their messages of democratic freedom and anti-Islamophobia \u2014 were superhits. <\/span>\n\nFew films seem further from this cinemascape of chest-thumping nationalism than 2004\u2019s <\/span>Main Hoon Na<\/span><\/i>, which celebrates its 15th anniversary this week. Notable both for being Farah Khan\u2019s directorial debut and a movie where Shah Rukh Khan plays a character his own age, <\/span>Main Hoon Na<\/span><\/i>, a lighthearted <\/span>military<\/span><\/a> film about a cross-border peace operation, now serves to map the shift in the Indian cultural narrative across a generation. Could you possibly make a feel-good masala flick about border tensions today?<\/span>\n\nFirst, a quick refresher for those who\u2019ve managed to forget the film that the BBC <\/span>described<\/span><\/a> it as a \u201cbonkers masala movie\u2026 the mutant offspring of <\/span>Grease<\/span><\/i> and <\/span>The Matrix<\/span><\/i>.\u201d In the film, <\/span>SRK\u2019s<\/span><\/a> Major Ram Prasad Sharma is a para-commando tasked with protecting college student Sanjana Bakshi (Amrita Rao), the daughter of a military general who is involved with Project Milaap. Naturally, Ram goes undercover as a fellow student. It\u2019s evident that <\/span>Main Hoon Na<\/span><\/i> takes place at a time when Indo-Pak relations aren\u2019t strained, as Milaap is a prisoner exchange programme between the countries. <\/span>\n\nThe villain of the film is former Capt. Raghavan Singh Dutta, played by Suniel Shetty in a truly iconic wig. The captain was court martialled when he, paranoid about cross-border spies, started murdering Pakistanis at random, and he is hell-bent on stopping Project Milaap \u2014 even going so far as to infiltrate the college in the guise of a professor. In between being Sanjana\u2019s secret bodyguard, befriending his estranged half-brother Lucky (Zayed Khan), and ensuring that everyone ends the film appropriately <\/span>coupled<\/span><\/a> up, Ram also stops the treacherous professor who has held the entire college hostage, in an unhinged helicopter action sequence on the roof. <\/span>\n\nThere\u2019s no denying that <\/span>Main Hoon Na<\/span><\/i> served up masala at its best and freshest, and the film proved it by smashing box office records of its day. It quickly became the quintessential college movie for <\/span>\u201990s kids<\/span><\/a> thanks to Sanjana\u2019s bucket hats and raccoon-inspired kajal, Sushmita Sen\u2019s appearance as a sexy teacher, and a nostalgia-laden title track. Plus, it delivered all the satisfaction of a Bollywood family drama, kicking off with a father\u2019s dying wish that his sons, the illegitimate Ram and the rebel Lucky (real name Laxman, obv), be united \u2014 right alongside a fight scene that involves SRK flying through the air on a bike, gripping a single handlebar while shooting at the villainous Dutta. <\/span>\n\nNow that we\u2019ve seen gritty, high-stakes action in films like <\/span>Uri<\/span><\/i><\/a> and <\/span>Kesari<\/span><\/i>, <\/span>Main Hoon Na<\/span><\/i>\u2019s whimsical portrayal of a military operation seems awfully quaint, even idiotic. While Major Ram is still the hero, Dutta \u2013 who is jingoistic, bigoted, and violent \u2013 poses a threat to the fragile Indo-Pak peace. He is a cautionary tale of nationalism gone wrong, a disgrace to the uniform that represents India. <\/span>\n\n

He is a cautionary tale of nationalism gone wrong, a disgrace to the uniform that represents India. <\/p><\/blockquote>\n\nMain Hoon Na<\/span><\/i> concludes with an emotional scene of prisoners crossing the border, and the promise of <\/span>harmony<\/span><\/a> on the subcontinent \u2014 a scene that seems impossible today. It frames Ram and Lucky\u2019s complicated brotherhood as a metaphor for the relationship between two countries that used to be one. To advocate for that fraternity now is to invite labels of \u201canti-national\u201d and protests outside cinema halls. <\/span>\n\nClearly, the definition of patriotism, and of patriotic films, has changed in the 15 years since <\/span>Main Hoon Na<\/span><\/i>. <\/span>Uri<\/span><\/i>, far from being just a movie, has become a movement, a <\/span>national mood<\/span><\/a> captured by the campaign slogan-worthy dialogue: \u201cHow\u2019s the josh?\u201d Despite Farah Khan\u2019s <\/span>hints<\/span><\/a> of a<\/span> sequel, the magic of <\/span>Main Hoon Na <\/span><\/i>can\u2019t be made again \u2014 not if it has to live up to the nationalistic standards of modern Bollywood. <\/span>\n","protected":false},"excerpt":{"rendered":"

Few films seem further from today\u2019s cinemascape of chest-thumping nationalism than the 2004 film Main Hoon Na. The lighthearted patriotic film about \u201cProject Milaap\u201d, an Indo-Pak peace operation would probably be labelled \u201canti-national\u201d in today\u2019s times.<\/p>\n","protected":false},"author":208,"featured_media":4572,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[3114],"tags":[8104,3185,1589,2878,7325,7670,7519,19,8105,1284,7780,8106,487,2918,262,8107,8108,7595,2298,732],"class_list":["post-4571","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-bollywood","tag-15-years","tag-90s-kids","tag-akshay-kumar","tag-anti-national","tag-army","tag-balakot","tag-hows-the-josh","tag-india","tag-indo-pak","tag-kangana-ranaut","tag-kesari","tag-main-hoon-na","tag-nationalism","tag-nostalgia","tag-pakistan","tag-patriotic","tag-project-milaap","tag-pulwama","tag-srk","tag-uri"],"yoast_head":"\nIn Josh-Filled 2019 Would Main Hoon Na, Bollywood\u2019s Masala Movie on the Military, Find Any Takers?<\/title>\n<meta name=\"description\" content=\"Few films seem further from today\u2019s cinemascape of chest-thumping nationalism than the 2004 film Main Hoon Na. 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