{"id":3844,"date":"2016-05-31T04:43:51","date_gmt":"2016-05-30T23:13:51","guid":{"rendered":"http:\/\/13.201.39.237\/?p=3844"},"modified":"2016-05-31T04:43:51","modified_gmt":"2016-05-30T23:13:51","slug":"zero-review-shah-rukh-khan-anushka-sharma-katrina-kaif-dwarfism","status":"publish","type":"post","link":"https:\/\/www.arre.co.in\/?p=3844","title":{"rendered":"Zero Review: Proof of Everything Wrong with the Cult of SRK"},"content":{"rendered":"\n
\n

T<\/span>here can be no bigger deceit than <\/p>Shah Rukh Khan\u2019s<\/span><\/a> turn as 38-year-old Bauua Singh \u2013 a Meerut man afflicted with dwarfism \u2013 in Hindi cinema this year. It\u2019s a fact universally acknowledged that SRK will play a version of himself in every role that he essays, but it feels especially galling in Anand L Rai\u2019s <\/span>Zero<\/span><\/i>. <\/span>\n\nThe film opens with a satisfying pulpy sequence where Bauua dreams of a magnetic version of himself, where he isn\u2019t bogged down by height-fuelled insecurities. In those brief moments, he is the hero who saves the \u201cizzat\u201d of an oppressed woman and confronts baddies in French. And for the next 165 minutes, Rai and\u00a0<\/span>Zero<\/span><\/i><\/a> solely concern themselves with guaranteeing that 53-year-old SRK is <\/span>that<\/span><\/i> hero \u2013 and not Bauua Singh, an ordinary person attracted to any opportunity that allows him to overlook his shortcomings. <\/span>\n\nSo Bauua Singh moulds himself to be SRK: He flashes his dimples, spreads his arms, walks in the trademark gait that we\u2019ve come to identify with the star, dances with the awareness that all eyes are on him, and mouths one-liners knowing that fans will hang onto every word. Every single body twitch, mannerism, emotion, and reaction \u2013 like Bauua\u2019s tears or the enunciation of the word \u201cnafrat\u201d \u2013 is borrowed proudly and consistently from brand SRK. <\/span>\n\nIt\u2019s a sham of a performance that thrives on the presumption of being instantly recognised. There\u2019s not even a single minute in <\/span>Zero<\/span><\/i> where the actor plays a character. In fact, the film might be the worst aide-memoire of his long-standing incompetence in completely inhabiting a character. <\/span>\n\nThe last time SRK shed the baggage of being Shah Rukh Khan and surrendered to the needs of a role was back in 2007\u2019s <\/span>Chak De! India<\/span><\/i>. In the decade that followed, the actor\u2019s choices reflected a dire need to hold onto his plummeting stardom. The roles he signed were designed then to have him retain his hallmark theatrics in a film within a film: In<\/span> Om Shanti Om<\/span><\/i><\/a>, SRK was reborn as a modern-day superstar. In <\/span>Rab Ne Bana Di Jodi<\/span><\/i>, he had a romantic alter-ego. In <\/span>Ra.One<\/span><\/i>, SRK\u2019s superhero turn relied on heightened exaggeration. In <\/span>Jab Tak Hai Jaan, Dilwale, Jab Harry Met Sejal<\/span><\/i>, he embodied the <\/span>clich\u00e9d<\/span> romantic hero he set the template of. And in <\/span>Fan<\/span><\/i>, SRK just played SRK.<\/span>\n\nIn the last couple of years, another ruse that the superstar has employed is to \u201creinvent\u201d by taking up roles that only appear challenging. His characters take refuge in manufactured deficiencies \u2013 facial distortion, bespectacled monotony, and dwarfism \u2013 that mask the actor\u2019s tendency to deliver the same performance over and over again. To be fair, when he essayed <\/span>Surinder Sahni<\/span><\/a>, an average man trying to make his wife fall for him or Gaurav Chandna, an obsessive stalker, SRK revealed audacious intent and quirks that were distinctly divorced from his larger-than-life persona. <\/span>\n

Zero <\/em>isn’t about Bauua Singh or dwarfism. It’s about SRK taking leaps of faith than only SRK is allowed to.<\/blockquote>\nBut in <\/span>Zero<\/span><\/i>, SRK indulges in the most dangerous artifice by exploiting dwarfism (India alone is <\/span>estimated<\/span><\/a> to have a dwarf population of 2 lakh) as an empty vessel to elevate brand SRK. Bauua Singh\u2019s condition doesn\u2019t affect, limit, or even inform his dreams and vulnerabilities: Bauua’s confidence reeks of stock small-town masculinity that interprets objectification and stalking as passionate admiration. The sky (and in this case, space) is always the limit when it comes to SRK.<\/span>\n\nBy the end, you have to consciously remind yourself that Bauua Singh suffers from dwarfism (except when <\/span>Zero <\/span><\/i>implies that people afflicted with dwarfism aren\u2019t \u201cnormal people\u201d) because it\u2019s just SRK taking leaps of faith that only SRK is allowed to. Even worse is the film peddling the idea that love can truly happen between two differently abled people. And its sheer arrogance in believing that it doesn\u2019t fetishise disabilities while simultaneously bracketing them as imperfections: Especially when Aafia\u2019s (<\/span>Anushka Sharma<\/span><\/a> in an awful performance) intelligence is evened out by cerebral palsy, or when the partial blindness of Bauua\u2019s best friend (Mohammed Zeeshan Ayub) is reduced to a punchline. <\/span>\n\nEven the film\u2019s most compelling character, Babita Kumari (an arresting Katrina Kaif), a successful actress dealing with a cheating boyfriend, exists to endorse SRK\u2019s change of heart. In the latter parts, <\/span>Zero<\/span><\/i> even goes as far as recreating every affecting moment from some of Hollywood\u2019s most memorable films (<\/span>La La Land,<\/span><\/i><\/a> Gravity, Hidden Figures, First Man, The Martian, Interstellar<\/span><\/i>) to make SRK look heroic. Even when Bauua Singh didn’t need to be.<\/span>\n\nBut the most telling example of the film\u2019s slipshod ideas, came five minutes into it: At the packed press screening I attended, a bunch of people of restricted growth were ushered in: A promotional gimmick devoid of any thought or logic that demands appreciation, even though <\/span>Zero<\/span><\/i> features no actor afflicted by dwarfism.\u00a0<\/span>\n\nSRK\u2019s Bauua Singh is a carefully orchestrated and subtle attempt to insult the intellect of audiences. And this is what what makes <\/span>Zero<\/span><\/i> even more manipulative than all the whitewashing in <\/span>Sanju<\/span><\/i><\/a>. <\/span>\n\n<\/div>\n","protected":false},"excerpt":{"rendered":"

SRK\u2019s Bauua Singh is a carefully orchestrated and subtle attempt to insult the intellect of audiences \u2013 exactly what makes Anand L Rai\u2019s Zero even more manipulative than Sanju. The film might be the worst reminder of SRK\u2019s incompetence in completely inhabiting a character.<\/p>\n","protected":false},"author":103,"featured_media":3845,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[3114],"tags":[7180,1531,5520,6612,32,1183,224,218,5521,7181],"class_list":["post-3844","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-bollywood","tag-anand-l-rai","tag-anushka-sharma","tag-dwarfism","tag-first-man","tag-katrina-kaif","tag-la-la-land","tag-love","tag-space","tag-zero","tag-zero-review"],"yoast_head":"\nZero Review: Proof of Everything Wrong with the Cult of SRK<\/title>\n<meta name=\"description\" content=\"SRK\u2019s Bauua Singh is a carefully orchestrated and subtle attempt to insult the intellect of audiences \u2013 exactly what makes Anand L Rai\u2019s Zero even more manipulative than Sanju. 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