{"id":3804,"date":"2016-03-23T01:36:08","date_gmt":"2016-03-22T20:06:08","guid":{"rendered":"http:\/\/13.201.39.237\/?p=3804"},"modified":"2016-03-23T01:36:08","modified_gmt":"2016-03-22T20:06:08","slug":"the-marvellous-mrs-maisel-second-season-review","status":"publish","type":"post","link":"https:\/\/www.arre.co.in\/?p=3804","title":{"rendered":"The Marvellous Mrs Maisel Asks, \u201cWhat\u2019s So Funny About Checking Your Privilege?\u201d"},"content":{"rendered":"\n

P<\/span><\/p><\/div>

ast year, Amy Sherman-Palladino\u2019s wildly inventive <\/span>The Marvelous Mrs Maisel<\/span><\/i><\/a> introduced us to a \u201950s housewife stepping out of her privileged Upper West Side bubble and into the smoky nightclubs of stand-up comedy. When her cheating husband leaves her, Miriam \u201cMidge\u201d Maisel\u2019s idyllic life goes for a toss but she still has a pretty charmed life. <\/span>\n\nWhen in a fit of drunken pique, she rants on stage at a comedy club, Midge is brilliant without even trying. But of course, her stand-up career causes complications: As a respectable upper-class woman, Midge has to keep her gigs a secret from her <\/span>elite<\/span><\/a> social circle. Thanks to her privilege, she can afford to have the best of both worlds. Neither does she have to deal with the consequences of telling filthy jokes, nor with the existential angst of being a struggling artist. <\/span>\n\nBut all\u2019s not well in the second season of <\/span>The Marvellous Mrs Maisel<\/span><\/i>. For it explores Midge\u2019s <\/span>anxiety<\/span><\/a> as her disparate worlds collide. Midge can just as easily hang out with her foul-mouthed, broke manager, Susie at a diner, as she can dress up for ritzy galas with her \u00a0fellow heiresses. As she grows more successful, the conflict between her stand-up act and her perfect life comes at her head on. <\/span>\n\nThe second season opens with the disappearance of Midge\u2019s mother Rose, who has run off to <\/span>Paris<\/span><\/a>, discontent with her loving but inattentive husband Abe. Rose doesn\u2019t just feel unappreciated by her family but also unfulfilled by her New York routine. In Paris \u2013 where she lived before her marriage \u2013 Rose is no longer the stick-in-the-mud society wife. She lives in a tiny flat in an artist\u2019s commune and embraces la vie boh\u00e8me. <\/span>\n\n

Neither does she have to deal with the consequences of telling filthy jokes, nor with the existential angst of being a struggling artist.<\/p><\/blockquote>\n\nI couldn\u2019t help but think: Like mother, like <\/span>daughter<\/span><\/a>. In a way, Rose foreshadows Midge\u2019s arc. The parallels between them are evident: Both have been let down by their husbands and both find freedom in doing something that falls outside the structures of polite society decorum. Essentially, both mother and daughter are rebelling against the same privilege that they find stifling. Like Rose at her Parisian bistro, Midge can walk into her downtown diner and be greeted by a dozen of her struggling artist friends who will embrace her even though she isn\u2019t one of them. But while Rose happily reverts to her comfortable life despite a taste of life without needless expectations, Midge fails. She is unable to reconcile her double identity as a provocative female comedian and the privileged trophy daughter of a good Jewish family. This season of <\/span>The Marvelous Mrs Maisel<\/span><\/i> might feel confused, but it sure does know when to check Midge\u2019s privilege.<\/span>\n\nFor instance, even though Midge insists that she takes her comedy career seriously, she can\u2019t resist putting it in the background and prioritising her family\u2019s annual Catskills holiday. Which is a two-month trip to a lavish Jewish summer camp, that comprises swimsuit pageants that Midge always wins. And <\/span>eligible men<\/span><\/a> who always flirt with her. For Midge, this place where the staff is trained to serve her endless glasses of tomato juice has always been her comfort zone. And is passion greater than comfort? Not in Midge\u2019s world.<\/span>\n\nBut what\u2019s interesting about this season is the contrast that the show offers. Sure, we see the show through Midge\u2019s rose-tinted glasses, but it\u2019s Susie\u2019s reactions to Midge\u2019s inherent <\/span>upper-class<\/span><\/a> laziness that forms the crux of the conflict. Susie\u2019s response to Midge\u2019s planned hiatus basically is all of us broke folk. She demands to know how Midge expects to get paid and by extension, pay her. Their priorities are remarkably different: While Susie has never been able to afford a break from work, Midge has never been exposed to the concept of spending <\/span>summer<\/span><\/a> in the hot, dusty city just because she has to earn money. I was fascinated with what the show intends to ask: Does our passion get better or worse with our social class?<\/span>\n\n

When she does a bit about finding humour in oppression or feels the weight of discrimination in a male-dominated industry, it’s clear that Midge is starting to know what it feels like to be the underdog.<\/p><\/blockquote>\n\nThe second season of <\/span>The Marvelous Mrs Maisel<\/span><\/i> makes Midge realise that stand-up is, at its core, a challenge: To <\/span>society<\/span><\/a>, to her privilege, and to herself. It\u2019s best evidenced when Susie books her a \u201cblue night\u201d \u2013 or dirty \u2013 gig at Catskills and Midge finds her stone-faced father in the front row. She gamely battles through her set, delivering jokes on sex and trying to ignore her father\u2019s palpable disappointment. It\u2019s a tense, heartbreaking moment, where Abe\u2019s glowing perception of his genteel daughter is shattered. As Midge delves deeper into her comedy, she is no longer just the funny society girl. <\/span>\n\nWhen she does a bit about finding humour in oppression or feels the weight of discrimination in a male-dominated <\/span>industry<\/span><\/a>, it’s clear that Midge is starting to know what it feels like to be the underdog. To not have it all. But the second season also throws us a googly: Can upper-class people ever really be starving artists, who put their privilege aside for the discomfort of following their dreams?<\/span>\n","protected":false},"excerpt":{"rendered":"

As a privileged upper-class woman, Midge Maisel keeps her comedy a secret from her elite social circle. But the second season of The Marvellous Mrs Maisel explores Midge\u2019s anxiety as her disparate worlds collide.<\/p>\n","protected":false},"author":208,"featured_media":3805,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[82],"tags":[3698,7121,1162,542,954,7122,944,7123,21,7124,1772,7125,4774,7126],"class_list":["post-3804","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-pop-culture","tag-amazon-prime","tag-amy-sherman-palladino","tag-anxiety","tag-comedy","tag-daughter","tag-elite","tag-husband","tag-infidelity","tag-marriage","tag-midge-maisel","tag-mother","tag-social-class","tag-society","tag-the-marvellous-mrs-maisel"],"yoast_head":"\nThe Marvellous Mrs Maisel Asks, \u201cWhat\u2019s So Funny About Checking Your Privilege?\u201d<\/title>\n<meta name=\"description\" content=\"As a privileged upper-class woman, Midge Maisel keeps her comedy a secret from her elite social circle. 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