{"id":2844,"date":"2016-07-28T06:00:01","date_gmt":"2016-07-28T00:30:01","guid":{"rendered":"http:\/\/13.201.39.237\/?p=2844"},"modified":"2026-07-17T20:15:39","modified_gmt":"2026-07-17T14:45:39","slug":"delhi-belly-black-comedy-akshat-verma-diarrhetic-plotline","status":"publish","type":"post","link":"https:\/\/www.arre.co.in\/?p=2844","title":{"rendered":"Why Delhi Belly is the Most Accurate Representation of India\u2019s Millennials"},"content":{"rendered":"\n

I<\/span>n an iconic <\/p>Delhi Belly<\/i> reveal, a man who goes by the name Cowboy (Vijay Raaz<\/a>) receives a mysterious package inside a shop called Indian Handicrafts. Earlier in the film, we learn that Cowboy is expecting a package containing pure diamonds <\/a>worth crores of rupees. He naturally assumes that the Dabur Chyawanprash-like plastic container in front of him has those very priceless contents.\n\nUnder the watchful eye of his goons, Cowboy takes a seat, spreads a red velvet cloth across the table before unscrewing the lid of the container. He then fastidiously brushes off the dust and slowly spreads its contents across the cloth. Out comes a trail of watery shit. If that weren\u2019t ridonk enough, then a bald goon <\/a>even takes up the responsibility of smelling the brown gooey matter, only to exclaim \u201cSir! Yeh toh tatti hai.\u201d\n\nIt\u2019s this one scene that neatly sums up the cult-appeal of the film \u2013 its ability to derive compelling comedy from the absurd.\n\nDirected by Abhinay Deo, written by Akshat Verma, and produced by Aamir Khan, Delhi Belly<\/i>, that turns seven years this week, felt less like an experiment ahead of its time and more like a giant middle finger to Bollywood. In a year that gave us Zindagi Na Milegi Dobara<\/i><\/a>, No One Killed Jessica<\/i>, and Rockstar<\/i>, Delhi Belly<\/i> was a film with no A-listers: Its eclectic cast comprised a bunch of relatively unknown names like Imran Khan, Vir Das, Kunaal Roy Kapur, Poorna Jagannathan, and Shenaz Treasurywala. There\u2019s no dancing around trees or inexplicably heightened drama. In fact, the film rewrote the rules of situational comedy in an ageing industry resistant to change.\n\nDelhi Belly<\/i> was one of the first instances of Bollywood attempting intelligent slapstick comedy, unabashedly covering everything that could offend a regular middle-class Indian moviegoer. From casual profanity <\/a>to an unpalatable diarrhetic plotline, what made the film\u2019s comedy stand out was how innately Indian it was. Its punchlines reek of a raw Indian sense of humour rooted in the deep recesses of a Hollywood screenplay writer\u2019s mind. Take for instance, \u201cBhenchod agar phir haath lagaya na toh tere tatte kaat kar jhumke bana dunga.\u201d Or my personal favourite, \u201cTujhe kya lagta hai, mere sar pe bandook rakhne se, meri gaand maarne ki permission mil gayi tujhe\u2026 bhenchod!\u201d\n

Asscracks seemed to be on permanent display along with apathy toward bathing, and an abundance of Panama cigarettes.<\/blockquote>\nDelhi Belly<\/i> also didn\u2019t attempt to sugarcoat the typical living conditions of bachelors <\/a>where a constant state of \u201curban poverty\u201d paves the way for routine indifference. The rundown house of the film\u2019s leads were replete with unwashed dishes, rotting leftovers, stacks of cheap takeout menus, local Hindi magazines, fragile roofs, intrusive landlords, and the picture of someone\u2019s boss with a dart stuck over it. Asscracks seemed to be on permanent display along with apathy toward bathing, and an abundance of Panama cigarettes. It\u2019s the kind of atmospheric detailing that is not just relatable for a certain kind of millennial, but also assumes a lived-in quality of comic proportions that livens up the film\u2019s proceedings.\n\nAnd that\u2019s the best part about Delhi Belly<\/i>. In a sea of formulaic youth-oriented films like Jaane Tu Ya Jaane Na<\/i>, Love Aaj Kal<\/i>, and Wake Up Sid<\/i><\/a>, Delhi Belly<\/i> is the loud fart in the elevator. Despite their commercial success and popularity, the films were gloriously sanitised, and offered a glaring disconnect with younger people. For they perpetuated a candy-floss image of a world where everything falls into your lap so long as you have hope and ache for happy endings. Despite their existential crises, the good-looking leads in these films led carefree lives that didn\u2019t require them to cook, clean, pay rent, or be embroiled in fucked-up situations that progressively got worse.\n\n\"delhi\n
\n

It cleverly derived inspiration from Hollywood and still managed to tug at our Indian hearts with the ultimate millennial attitude towards adversity \u2013 shit happens.<\/p>\n

Image Credits: UTV Motion Pictures<\/p>\n<\/figcaption>\n<\/figure>\n\nThat\u2019s not to say that we deal with gangsters <\/a>and stolen diamonds every day. But in real life, bachelors don\u2019t live, they survive. And Delhi Belly<\/i> accurately represented it. They looked, lived, and loved just like the rest of us, evidenced in the scene where the film\u2019s male lead is shown casually going down on his fianc\u00e9e. Likewise, it drew its humour from the comedy of daily life: the Kathak teacher who doubles up as that loud neighbour <\/a>we all recognise, the landlord who is called \u201cShri Maha Randi Premi\u201d by his own brother, or Arup screaming \u201cIss ladki ne mera choosa hai!\u201d at the bride in the middle of a wedding.\n\nMuch of the film\u2019s charm lies in how it complements its hilarious screenplay (think Tashi dressing up the film\u2019s male leads in burqas for a robbery) with \u201980s style music <\/a>in the backdrop of raw Dilli. The film\u2019s comic set-ups and satisfying payoffs are all centred around highlighting a coked-up version of the capital with its local tandoori chicken sellers, whorehouses, and crowded, narrow market lanes juxtaposed with an upper-class Delhi lifestyle where people peel bananas with forks and knives.\n\nEven the songs appear like an intrinsic part of the narrative. If Delhi Belly<\/i> uses \u201cSaigal Blues\u201d with a stoner-esque feel to depict the grungy shithole <\/a>the bachelors live in, it uses the loop-worthy \u201cSweety Tera Pyaar\u201d fittingly for a car chase between a lover and his estranged wife, and the surf rock-themed \u201cJaa Chudail\u201d to show Arup as a disco fighter who\u2019s casually yet dramatically breaking a marriage.\n\nIn a film universe criticised for its over-reliance on successful formulae, Delhi Belly <\/i>subverted the mechanisms by presenting a world where crime and comedy intersect, anchored by a grimy realism. Just last year, both the film\u2019s writer and director tried recreating this very magic with Kaalakandi<\/i> <\/a>and Blackmail<\/i> <\/a>but failed to even come close. At a time when Bollywood has made a hobby out of \u201crecreating successes\u201d with half-baked modern updates, it\u2019s a relief to know that Delhi Belly\u2019<\/i>s formula-less existence guarantees that it can never be aped or sullied.\n\nFor Delhi Belly<\/i> managed to do the impossible. It cleverly derived inspiration from Hollywood and still managed to tug at our Indian hearts with the ultimate millennial attitude towards adversity \u2013 shit happens.\n","protected":false},"excerpt":{"rendered":"

In a sea of formulaic youth-oriented films like Jaane Tu Ya Jaane Na and Wake Up Sid that sugar-coated the lives of the youth, Delhi Belly stood out for how rooted it felt to reality. In real life, bachelors don\u2019t live, they survive. And Delhi Belly accurately represented it.<\/p>\n","protected":false},"author":205,"featured_media":2847,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[82],"tags":[857,5737,332,5738,542,4595,5701,334,5739,132,5740,5741,5622,5742,5743],"class_list":["post-2844","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-pop-culture","tag-aamir-khan","tag-belly","tag-black","tag-classic","tag-comedy","tag-cult","tag-dark","tag-delhi","tag-diamonds","tag-humour","tag-imran-khan","tag-kunaal-roy-kapur","tag-robbery","tag-smuggling","tag-vir-das"],"yoast_head":"\nWhy Delhi Belly is the Most Accurate Representation of India\u2019s Millennials<\/title>\n<meta name=\"description\" content=\"In a sea of formulaic youth-oriented films like Jaane Tu Ya Jaane Na and Wake Up Sid that sugar-coated the lives of the youth, Delhi Belly stood out for how rooted it felt to reality. 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