Why can’t Bollywood filmmakers seem to give disabled protagonists challenges other than overcoming their disability? It isn’t as if we don’t have precedents. In films like Sparsh and Jagga Jasoos, the leads’ afflictions don’t dominate their characters.

Imtiaz Ali’s Tamasha flipped the idea of doing what you love and following your heart, on its head. It showed me the terms and conditions attached to chasing my dreams – and laid bare the frustrations and failures that accompany trying to make your mark in the world.

Bradley Cooper’s directorial debut starring Lady Gaga is a modern-day update on an old story. Unlike past iterations that glorify toxic behaviours, this version, in the age of #MeToo, makes all the politically correct statements.

Douglas Adams’s The Hitchhiker’s Guide to the Galaxy is just as relevant today as it was 40 years ago. Britain in the ’70s, much like India today, was a bureaucratic nightmare – Vogons are the literal personification of that. And Arthur Dent? Well, he is an Aam Aadmi caught in the crossfire, just trying to make sense of the world.