Loving and Letting Go of Alicia Florrick

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Loving and Letting Go of Alicia Florrick

Illustration: Namaah/Arré

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licia Florrick came into my life as a present from my partner, who I had just begun dating at the time. He told me I might like The Good Wife—he had already seen the first two seasons, but didn’t mind watching them again. He had seen them with his previous girlfriend, a fact which was left unsaid. I wondered if he would think of her each time the show’s credit came on, a pixellated close up of actor Julianna Margulies’ face, each speck of her eye revealing nothing. We have a thing with credits of all the shows we love, we sing the theme tune when we can or make gestures with our hands. “The WIFE that is GOOD!” is our Good Wife chant, as soon as the music comes on.

It became a show that bound us together—two years of long distance, with a minimised Skype window at the bottom to watch a series premiere. Or saving them all up to binge watch together in bed when we were together again. We blazed through Breaking Bad the same way, had a weekly Game Of Thrones date, but when it came to The Good Wife, it was a softer, simpler pleasure—not set in a world of violence or rape, not with terrible things happening to people all the time. And as Alicia grew into her role, so did I.

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